• Making labels for pricing isn’t really the most interesting of letterpress printing jobs, and I suppose that is why this is the first time I’ve bothered. Back in the heyday of commercial letterpress printing it would be the sort of work that would be farmed out to a specialist printer, but not if you need them immediately. And I am generally willing to make exceptions for myself. So here we are, Scotch Roman in 24pt. They dried overnight and went on bagged copies of the second printing of STONES by Matthew Hollis, and were off in packages for the Cheltenham Literary Festival and the Bridlington Poetry Festival. Handsome they look too.


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